Take Better Pictures With Photography Tips

Read About Wedding Photography And Videography

Long after the last guest has left the reception you and your spouse will have your wedding photography or videography to look at when you want to re-live the joyous occasion ? hopefully, that is! When it comes to planning your wedding photography or videography, the most important aspect is to have an idea of

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Wedding Photographers: Guidelines To Select The Wedding Photographer.


Wedding is one the greatest and memorable event for everyone around the world. If you are planning to wedding, you need to consider so many things before commencing that. In those decisions, selecting the best wedding photographer is really hectic task. If you want to make your wedding day and reception as wonderful moments in your life, then you need to select a wedding photographer, he must have very good portfolios and very good back ground and will be able to record those candid, funny and touching and important moment of the wedding. And also you need to consider that he must have latest photography equipment, and he must be able to use all these at once. And also you need to consider things about prices; however, most of the wedding photographers are available for high rates. If you want to hire an award winning profession, then you need to spend more and more money. And also it is a better idea to select the wedding photographer based on the portfolio or photo session of engagement. With these types of works, you will get a few nice wedding photographs.

Here some of the important guidelines to select the best wedding photographer for your memorable event once in a life time. First of all, you need to select the photographers based on the review of several portfolios. To review the portfolio, you can select either offline or online. When it comes to offline, you need to visit a photographers studio or attending some photo exhibitions and also by attending some bridal function to know the latest trends in the industry. Depending upon the portfolios, you need to select the best professional photographer will definitely be worth it. And also it is a better idea that you need to take the suggestions from the satisfied former brides. And also it is suggested that you need to take the suggestions from the neighbors, friends and many more to do.

And also it is suggested that you need to maintain an agreement between you and that agreement, please make sure that he needs to inform us about all expenses include, developing an extra copy and some of the other expenses must be included. When it comes to album making, please make sure that you have received all types of prints or albums and how the album is packages and other things. All of these are very important when you are planning to select the best photographers. And also please make sure that you need to select a photographer that he must suits with your style of wedding. Finally, there are some well established and experienced New York City Wedding photographers are having their own web sites, and also they are providing all valuable information in that web more information and details, please visit their web site.

Learning Photography? Don’t Forget Your Camera.


Digital photography has beginners around the world paying for courses and ebooks to learn how to take better photos with their digital cameras. Are they getting what they pay for?

A few years ago, I wrote an ebook to teach beginners the basics of good photography. You know, aperture, shutter speed, depth of field, lighting, composition; the kind of things that are the stock-in-trade of any experienced phogographer. In recent times, I have been amazed at the increasing number of people eager to get their hands on this type of information.

With the internet seemingly taking over the world, and the explosion in availability of books, ebooks and courses on just about every subject, why is it so hard for a new photographer to find out how to use their camera? It's a mystery for the modern age, but I think I may have found the answer.

If a person has a bad experience, especially if that experience cost them hard-earned dollars, they will tell others. And what they are telling me is that they are NOT HAPPY with most of the photography courses and guides on offer.

Many courses and workshops advertising 'digital photography' have little or nothing to do with actual photography. That's right, you can sign up to learn the skills of better photography and not learn one thing about taking better photos.

Instead, what you get is a workshop on digital imaging, or photo editing. How to fix up your bad photos, how to superimpose rainbows and birds into your landscapes and how to remove freckles and pimples from your portraits. How to use software which, in many cases, the customer doesn't have, doesn't want and possibly can't afford.

Are these useful skills? Of course they are, but they are not photography. At best, they are secondary skills that enhance the creative possibilities of photography, for people who choose to go down that path. This does not include everybody.

The result could be a generation of 'photographers' who know more about fixing up their mistakes on a computer than about taking good photos in the first place.

If a customer pays you to teach them photography, they have a right to expect that they will learn how to use a camera. If they want to learn about computer software, they will buy a different ebook, or sign up to a different course. If you take their money, then sit them in front of a computer for three days, you have not given them what they paid for. If your customer asks for their money back - so they should.

I could take a pessimistic view, and think that some photographers have become so lazy, so unskilled, that they really believe digital manipulation is more important to photography than skill with a camera. I prefer to think that the customers I have spoken to have just been the victims of misunderstandings and poorly worded advertising.

Whichever is the case, customers beware! Before you hand over your credit card, find out exactly what you are signing up for. If you want to learn to be a better photographer, make sure the course, workshop, or ebook is about using your camera, not just a computer. If software is a component of the course, terrific - you are getting a well rounded look at the world of photography. If it is the only component, shop around; there are still people out there who want to teach what you want to learn.

Taking Great Photos Underwater

Taking Great Photos Underwater
Copyright 2006 Rob Daniels

The Nikonos, manufactured by Nikon, was the first true underwater camera and to this day remains the industry standard. Nikon has discontinued their first-rate Nikonos line of underwater cameras and lenses, although you may still find the Nikonos on the used market or eBay.

Underwater photography is a great way to record your experience with non-divers of the wonderful world below the waves.

If you simply want an underwater camera for a day, you might want to consider either a Kodak or a Fuji single-use disposable camera. For those beginning in the field of underwater photography, an inexpensive waterproof disposable camera can be a good way to get started. Some of the disposable underwater cameras are equipped with an integrated flash unit.

One of the difficulties casual snorkelers and divers who are attempting underwater photography struggle with is the lack of visibility in the view finder on underwater cameras. Too many commercially built underwater cameras cases merely depend on lining up dots, which isn't sufficient for proper composition of underwater pictures. Very few underwater cameras have a finder large enough to be used accurately underwater.

Serious enthusiasts who want the advantages of a single-lens reflex auto-focus camera may prefer a land camera in an underwater housing. Some of the more advanced and specialized cameras have an underwater mode that change the features, operation, or interface of the camera for underwater use. Imagine having an underwater camera that takes 220 shots at 12 million pixels that you can see and delete underwater. When most people think about shooting digital pictures underwater, they think of large underwater camera housings, intricate flash strobes and a very large budget. But that is not always the case Canon is making an entire line of underwater housings for many of its digital point-and-shoot cameras in the PowerShot line. While serious underwater photography still requires higher-end equipment, these cameras and housings can produce some very good results. Digital cameras can also afford more shooting time underwater with a larger 1-gig compact flash card.

Another important item to consider before taking any underwater shots is the proper camera lens. The basic camera systems available for underwater photography have a thirty-five millimeter lens.

There are some real disadvantages to underwater photography. One particular challenge in underwater photography is the use of a flash. Flash photography underwater is limited in range to about 8 ft at the extreme, 4-6 ft commonly.

Browse through any collection of (good) underwater photography, and you will see that every image is either macro or wide-angle, without exception. For this reason alone, many divers new to underwater photography start by concentrating on macro subjects. Doing macro underwater shares many of the same concepts as shooting on dry land. The trick is to shoot close with a wide angle with an auto-focus camera because depth of field underwater is very unforgiving. If you're a new to underwater photography, four feet should be the maximum distance from which to photograph your subject. When you are estimating the camera-to-subject distance underwater you are estimating the apparent distance, the actual distance is 25 percent further away.

Remember Underwater Photography starts as skill development, then composition followed by technique and finely artistic realization. Many of the rules of land photography still apply underwater but they must be used with some thought. The irony of underwater photography is that for all its beauty, the biggest enemy is the water itself. Unlike taking photos topside, when reloading is a simple process, cameras cannot be reloaded underwater.

Even if you are not using it for underwater use, sand and sea air can damage the delicate mechanisms within the camera. To take effective pictures underwater you need to be able to concentrate on your subject and the operation of your camera equipment. Underwater photography is great fun, but getting good results is extremely tricky and the equipment is very expensive.

Underwater Cameras:discover A Whole New World Underwater


It is a known fact that over seventy-five percent of our world is covered in water, this world has just as many interesting things to take pictures of and is always changing with every ripple and wave. Underwater cameras are a great way to capture these scenes that are ever changing. Underwater cameras are great for deep-sea divers and the snorkeling community alike. They are also a great type of camera to take to the pool or lake to sneak a few pictures of the local wildlife in the water and around the water. No matter if you are new to using an underwater camera or picture taking in general, the water has a lot of offer and just waiting to be seen.

These types of cameras are not to be confused with a normal camera that is used every day on land. An underwater camera is specially made to be able to be completely submerged underwater and able to take the pressure surrounding it and has a waterproof casing. The underwater camera also takes the same great quality pictures on dry land in rough and rugged conditions, but it has advanced features for a water setting.

Underwater cameras come in all shapes, sizes and film format. Many digital cameras that are made for the underwater environment come with a viewfinder so you can see exactly what you are taking a picture of and what your camera sees. There are still a great line of underwater cameras that use film that needs to be developed and they work just as well as a digital camera and take the same great picture. The smaller underwater cameras are normally very good for up to two hundred feet to four hundred feet while the bigger cameras are made for deeper regions of the waters.

Taking Incredible Close-up Flower Photos with Digital Camera


The shooting of flower is an unavoidable topic for photography lovers. It is an essential step to a success photographer. Considering the superb color of follower, many things you should take into consideration including light, time, location, and so on. Flower shooting doesn't need to change the lens. Canon 60D kit 18-135 lens can be a good choice. Shooting flowers need macro, you just need to adjust the mode or modify shutter before taking a picture mode. Things you need to prepare: Canon 60D kit 18-135 lens, SLR cameras, large-capacity memory card, flash bulb, Tripod Find a view. Generally, to get flower shoot, the photographer can choose distant location to take flowers. That means you can take a total shoot of the panoramic picture first, then you can go near and take the shoot of you target. So people not only can have a look of the scene, but also the details of the glasses and flowers. Depth of Field To get a close-up photo, you need to understand the impact of the aperture for depth of field. The f/1.8-4.5 aperture is large aperture; f/11-16 aperture small aperture, depth of field size marked on the lens. Take the example of 50 mm lens, for a 4 inch target, aperture of f / 4 shooting, resulting depth of field of about 6 inches, that is the focus of pre two inches and follow four inches. If shot with f/16 aperture at the same distance, resulting depth of field is about 24 inches, which is the focus of pre eight inches follow 16 inches. Therefore, with a small aperture can be a clearer scene. According focus distance to view the depth of field, even use a small aperture, the depth of focus is very small. Small subjects, such as the butterfly fall on the flowers. It is enough to make it in the focal plane with a large aperture. There are two advantages: 1, With a large aperture, even with slow chip can also using a fast shutter speed to condense the action. 2 Make the exclude background clutter out of the focal plane. The technique is called separation of this prominent main focus. Mostly photographers often used this technique to eliminate the clutter background, in order to highlight the subject, especially when they need to take the shoot of a follower or glass. In general, the photographers prefer to shoot a flower as the background, so that the foliage mixed together. The disadvantage of this condition is that the target is not highlight enough. Shooting tipsPhotographer should be patient to observe around. A large aperture is recommended to highlight the most beautiful part. With separate focus and the long focal length lens, you can shoot a beautiful the word, you can use flash to highlight the subject and leave the dark background underexposed. There are many rich-effect photos adopted by photography magazine, although it is the night the effect that seems not very natural. Use a small aperture and flash to take close-up shots. As the most of time, I'd prefer to make a animation after a shooting travel. For this purpose, a lot of images may be taken. So the prepare works should well. Do backup and clean your SD storage before the travel. Have done your animation with Flash Video Editor? The FLV video may be not compatible with many portable devices and software, which means you may need to convert flv to avi or any other format videos with an flv to avi converter.